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Audition Call OPEN AUDITIONS: HUDDERSFIELD THESPIANS SEEK TALENTED ACTORS & ACTRESSES FOR ROLES IN ‘A STREETCAR NAMED DESIRE’. After the recent outstanding success of “Offices & Gentlemen” – by...

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HUDDERSFIELD THESPIANS SEEK TWO TALENTED ACTRESSES... After the outstanding success of last week’s “Offices & Gentlemen” – by Alan Bennett, the Huddersfield Thespians are looking for two talented actresses to play the parts of screen legend, Margaret...

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Actors Workshops Next Actor's workshop is Tuesday 6 February 2018.  We will be looking at possible plays for our special centerary production. Come along to read some of the plays performed over the last 100 years. ...

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Previous Productions

Huddersfield Thespians’ 94th Season


Below are the shows we produced for our 94th Season (2013-14).

All plays were performed at the Lawrence Batley Theatre, Queen’s Square, Queen Street, Huddersfield HD1 2SP.

Box office: 01484 430528.



Last Of The Summer Wine by Roy Clarke

(8 – 12 October 2013)


This new stage adaptation of the timeless television series, sees Foggy, Clegg and Compo reunited for one last adventure.

In classic Summer Wine style, Foggy has designs on winning the affections of Constance, Nora Batty’s niece and the long-suffering fiancée of the hapless Gifford Bewmont. With the help of Clegg, Foggy invites the ladies around for an evening’s entertainment but they are all unaware that a mysterious flasher is stalking the local community…

What ensues is an evening of havoc, mistaken identities and chaos as our heroes try not to be undone by the enveloping madness.







Playing Away by Chris Sykes

(19-23 November 2013)



In this modern day comedy, Elisabeth is a very successful estate agent with offices in London and Paris but she leads a double life. Monday to Wednesday the English half, Libby, lives in London with Roger, a perfect English gentleman. Thursday to Sunday she is Lisette and goes wild in Paris dancing and in bed with Pierre, a perfect, chauvinist Frenchman.

For Elisabeth life is perfect, but can she keep all the balls in the air when the two men accidentally meet?

PLAYING AWAY is a fun play about stereotypes – French and English – what men want and what women want.








The Weekend by Michael Palin

(28 January -1 February 2014)



Stephen Febble is cantankerous, misanthropic, miserable and world-weary, in short he’s crabby! All he wants is to be left alone, but, to his horror, his long-suffering wife Virginia fills the house with guests for the weekend and Stephen responds in his normal fashion – with whisky and sarcasm!

A play with humour of many shades, from light to black, with a lot of laughter and lots to laugh at, but with a poignancy that gives the story much depth. Indeed everything you’d expect, and more, from a play by ‘national treasure’ Michael Palin.








Bully Boy by Sandi Toksvig

(11  – 15 March 2014)


bullywebMajor Oscar Hadley, a Falklands veteran, is sent by the Army to Afghanistan’s combat-zone to investigate the death of an 8-year-old civilian boy and his mother at the hands of a group of British soldiers, nicknamed ‘the Bully Boys’.

He interviews the prime suspect; pumped-up, aggressive young soldier Eddie Clark, a 20-year-old who signed up at 16. Eddie is immature and institutionalised, showing racist indifference to the dead locals he has been sent to protect, and fiercely defensive of his fellow ‘bully boys’ who the Major implies have blamed him for the death.

The developing relationship between the two soldiers is mesmerising and emotional, in a play written by comedienne and broadcaster Sandi Toksvig (better known for her appearances on BBC Radio 4 and QI)

Bully Boy is both deeply moving and humourous as the initial questions make way for the extraordinary truth about war and its consequences.



Quartet by Ronald Harwood

(6 – 10 May 2014)



Cecily, Reggie and Wilfred are in a home for retired opera singers and each year, on 10 October, there is a concert to celebrate Verdi’s birthday.

When Jean, who used to be married to Reggie, arrives at the home and disrupts their equilibrium – she still acts like a diva and refuses to sing!

But the show must go on…

Ronald Harwood’s gentle witty and poignant Quartet has proved popular with audiences across the world since it was first performed in 1999. It will make you laugh a little, sigh a little and cry a little we share the bittersweet world of facing up to age and mortality.